Temporary, by J. Soliday

Temporary

by J. Soliday

supported by

Dawid Scumwalski Improvised, disjointed, an exercise in severely broken electronics (or electronics deliberately made to sound like they're broken). It's not my usual cup of tea, but there is enough interesting things happening here and there to keep things interesting. Not my favorite offering from Mr Soliday, but it's not bad either.

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Full Digital Discography

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Get all 110 Crank Satori releases available on Bandcamp and save 75%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of fifty-one fifty-two fifty-three, rippler horn, Essential Tone Decay, Let's Pretend A Future!, Depravity, Lurch / Goons, a splintering, field routines & trainings, and 102 more. , and , .

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1.	Cracked like knuckles, but not as precious - Part I 12:40	buy track
2.	Cracked like knuckles, but not as precious - Part II 02:07	buy track
3.	Cracked like knuckles, but not as precious - Part III 05:50	buy track
4.	Cracked like knuckles, but not as precious - Part IV 04:34	buy track
5.	Cracked like knuckles, but not as precious - Part V 10:05	buy track
6.	Cracked like knuckles, but not as precious - Part VI 05:40	buy track
7.	Part VII - Performing precise local suicides, temporary amnesias, and painless aphasias 11:43	buy track

about

Temporary was originally released as a CD-r in 2006 by Crank Satori

credits

released May 7, 2012

One through six are cracked like knuckles, but not as precious.
Seven is performing precise local suicides, temporary amnesias, and painless aphasias.
It's all temporary

Temporary was played on a computer, an analog synth, a pile of homemade electronics, and a rather beat up electric guitar.
Peter Rosenbloom plays violin and electronics on track 4, and a bit of Jason Talbot's "Thank You" found it's way into track one.

Final Mastering by Todd A. Carter at Bel Air

Cover art by Jason Soliday
Original CD-r sleeves were sewn by Lisa Slodki

www.jsoliday.com

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Crank Satori Chicago, Illinois

jsoliday.com

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